As I stated in my last post, I believe that all (good) stories are character-driven. Let’s discuss.
At The Heart of All Stories
When you pick up a novel, how long does it take before you commit to reading it all the way through? I’m no longer feeling that I have to slog through something that bores me, so for me, I give a novel about thirty pages. And in those thirty pages, what am I looking for?
Well, a number of things. I want to be drawn in to the concept. I easily tire of bad language/poorly written stories. I like to be able to picture the world, and I don’t want something to be paced either too slowly or too quickly. But for me, the essential element in a good story is – can I relate to the character?
How Do We Build Characters?
There are as many ways for writers to build a character as there are ways to build a plot. Search the internet and you can find character questionnaires, character backstory builders, character psychological analyses, character dramatic studies, character emotional mind-maps. I’ve conducted day-long workshops on character, and I’ve probably tried every one of the possible architectures, including hands-on processes like crafting a character scrapbook and making a character vision board.
All this to say: characters should be as humanly-relatable as possible, and therefore are just as complex.
Of course, you and I and everyone on the planet develops our “character” with every passing second we’re on this earth. For a writer, it’s impossible to create that kind of complexity, so how in the world do we writers manage to create characters that most of us would recognize the instant we met them?
If you don’t believe me, how about Jay Gatsby? Or Starr Carter? Katniss Everdeen? Harry Potter (or any one of the multitude of characters in his world)? Aria Stark? I could go on…
Back To The Heart, Again…
While there are many time-consuming exercises that writers can employ – and, trust me, I’ve done them all – I think great characters can be boiled down to a few key elements, all centered around a single, driving human concept: emotion. I talked a bit about this in a past post, but I’m going to talk a lot more about this emotional driver that I believe is at the heart of all good stories.
But let’s break the elements of the emotional driver down. Here are those that I think are crucial for writers to address when it comes to characters:
- Internal desire
- External goal
I’m going to discuss each of these over the next few posts, and each deserves its own moment in the spotlight. Indeed, each of these is so powerful a tool for writers to understand that you can find a craft book for every one, as you’ll see.
Please stay tuned!