Plot. It can drive you crazy, especially if you’re a new writer. How many different ways are there to represent plot? Are there plot devices you can lean on every time?
I love all of the books above – seriously – and would recommend them to anyone wanting more on crafting plot. But this series is for short, quick tips so here are two hot tips I recommend incorporating into your toolbox.
Where To Put Those Pesky Flashbacks
Inevitably, you will need to recall something in your character’s past in order to help the reader understand where that character is coming from. You’ll want to put something in flashback form: a memory, a short scene, an ah-ha moment of recognition. Stephen King maintains that there should be no flashbacks before chapter 3. I think he’s (mainly) right. (Note: I have broken this rule, but not before I’d written four published novels.)
Leave the backstory flashbacks for later in the story. Try to weave them into the story as seamlessly as you can. Something relevant should trigger the flashback – an image, a feeling – because the emotional content of the flashback must be the reason to include it.
In THE ARTIFACT HUNTERS, Isaac escaped from Nazi-occupied Prague to end up in Scotland. The reader knows he feels guilty about leaving his parents behind, and that he wants to be a hero but doesn’t know if he can be one. Not until well into the book is the real reason for his fears revealed. And it’s revealed as a moment of great guilt and pain – a memory he wishes he could erase, an action he wishes he could reverse. This technique adds to the story’s mystery and allowed me to develop the emotional aspects of Isaac’s character.
The Rounding of the Story Arc
Don’t forget that a character’s internal desire – what he or she needs to “learn” or understand – must be clarified and resolved before the story’s end. The climactic scene is the place for this satisfying resolve.
Let your main character reveal what she’s learned in the climactic scene. Your main character must evolve from ignorance to understanding. The place to reveal just how far they’ve come is in the climax, that scene of highest tension, right at the precipice near the end of the story.
Kat, in THE CHARMED CHILDREN OF ROOKSKILL CASTLE, reveals her growth when she defeats the antagonist by understanding her weakness (and how it relates to Kat’s own faults), and Isaac in THE ARTIFACT HUNTERS defeats his antagonist with his recognition of the strength of friendship.
To Sum Up
- Layer flashbacks in late in the story – and make them relevant to your character’s emotional state.
- Complete the character’s internal emotional journey by creating an ah-ha moment in the story’s climax.
I hope you’re enjoying this series, as the days grow longer!